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Fairy Tales

SLEEPING BEAUTIES

In Leah Wilcox’s Waking Beauty (Putnam Juvenile, 2008), the fairies insist that Beauty must be woken with a kiss, but Prince Charming insists on other methods: bellowing, jumping on the bed, soaking the princess with cold water, and shooting her out of a cannon. For ages 4-8.

In Jane Yolen’s Sleeping Ugly (Puffin, 1997), a beautiful but nasty princess (Miserella), a sweet but homely orphan (Plain Jane), and an inept fairy godmother are all put to sleep by a slip-up with a magic wand. When the prince arrives, he decides to practice first by kissing Jane – and at the end of the tale, he and Jane are living happily ever after, with the fairy godmother in the house next door, and the still-sleeping princess doubling as a hat rack. For ages 5-8.

In E.D. Baker’s The Wide-Awake Princess (Bloomsbury USA, 2012), Princess Gwendolyn pricks her finger and falls asleep, and the entire castle sleeps with her – except her sister Annabelle, whose fairy gift is a resistance to magic. Plucky Annie and a young castle guard, Liam, set off to find the proper Prince Charming to break the spell, meeting other fairy-tale characters along the way, among them Hansel and Gretel, Rapunzel, and an enchanted bear. There’s more about the enchanted bear in the sequel, Unlocking the Spell. For ages 10-14.

In Robin McKinley’s Spindle’s End (Firebird, 2002), the infant princess Rosie is cursed by an evil fairy, Pernicia, to die on her 21st birthday by pricking her finger on a spindle. Taken away for safekeeping by the fairy Katriona and raised in the peasant village of Foggy Bottom, Rosie grows up to be feisty, self-actualized, and self-sufficient – and she also has a magical talent: she can talk to animals. As Rosie’s fatal birthday approaches, she discovers her true identity; and she and friends Peony and Narl, the taciturn (but handsome) village blacksmith, prepare to defeat Pernicia. A great read for ages 12 and up.

Chosen as a Best YA Book by the American Library Association, Jane Yolen’s Briar Rose (Tor Teen, 2002) is a Sleeping Beauty story set in the Holocaust. The main character, Becca, sets out to find the truth behind her grandmother Gemma’s bedtime story about a sleeping princess in a castle, a quest that leads her to the concentration camps of Poland. For ages 13 and up.

Jean Mahoney’s The Sleeping Beauty Ballet Theatre(Candlewick, 2007) is a foldout theater with backdrops, a caste of nine dancing characters, a booklet about the title ballet, and a CD of the accompanying music by Tchaikovsky. For ages 6 and up.

In James Mayhew’s Ella Bella Ballerina and The Sleeping Beauty (Barron’s Educational Series, 2008), Ella Bella – who loves to listen to the music from “The Sleeping Beauty” ballet on her ballet teacher’s music box – is magically transported inside the story, to the Princess Aurora’s palace. Also see Ella Bella Ballerina and Cinderella. For ages 4-8.

BEAUTIES AND BEASTS

In Beauty (HarperTeen, 2005), Robin McKinley’s retelling of the tale of Beauty and the Beast, Beauty is not nearly as beautiful as her two older sisters, but she is smart and she has a way with horses. After her father picks the fatal rose, Beauty (and her horse) go to live in the Beast’s castle. The bones of the traditional tale are there, but this is a rich amplification of the original, and this Beauty is a terrific, brave, and intelligent heroine. For ages 11 and up.
For older teenagers and adults, Robin McKinley’s Rose Daughter (Ace, 1998) is a deeper and more mature version of the tale, filled with wonderful details.
Shimchong, The Blind Man’s Daughter is a “Beauty and the Beast” tale from Korea.